Description Cordier submitted a plaster cast of the bust of an African visitor to Paris to the Salon of 1848, and two years later he again entered it as a bronze. A young African woman served as the model for the companion piece in 1851 (Walters 54.2665). Regarded by 19th-century viewers as powerful expressions of nobility and dignity in the face of grave injustice, these sculptures proved to be highly popular: casts were acquired by the Museum of National History in Paris and also by Queen Victoria. The Walters' pair were cast by the Paris foundry Eck and Durand in 1852.
- The Allure of Bronze. The Walters Art Gallery, Baltimore. 1995.
- Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001.
- A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. 2002-2004.
- From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore; The Walters Art Museum, Baltimore; The Walters Art Museum, Baltimore; The Walters Art Museum, Baltimore; The Walters Art Museum, Baltimore; The Walters Art Museum, Baltimore. 2014-2016.
Provenance Shepherd Gallery, New York; Walters Art Museum, 1991, by purchase.
Credit Museum purchase, 1991
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