Creative Commons License
Creative Commons License
Creative Commons License
Valley Landscape in Moonlight
(18th and 19th Centuries )
Asher Durand spent the first two decades of his working life as an engraver. During the 1830s he turned to painting portraits, and then, encouraged by Thomas Cole, to landscapes. By the 1840s Durand was concentrating on landscapes exclusively. Working in New York City, he became a close colleague of Cole, and served as president of the National Academy of Design. He regularly ventured into remote areas of the Catskill, Adirondack, and White Mountains to make sketches, which he used in the landscapes composed in his studio during the winter.
This work was formerly housed in one of William T. Walters' many drawings albums.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
Exhibitions
| 2001 | The American Artist as Painter and Draftsman. The Walters Art Museum, Baltimore. |
| 1987 | American Drawings from the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 2/5/1987 | Treatment | mounted; re-housed |
Geographies
USA (Place of Origin)
Measurements
H: 7 13/16 x W: 5 7/16 in. (19.8 x 13.8 cm)
Credit Line
Acquired by William T. Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1579