Seated Buddha in "Maravijaya"
(Southeast Asia )
Buddha Shakyamuni sits in a yogic cross-legged position, his right hand pointing downward in the earth-touching gesture, while his left hand rests in a position of meditation. The gesture ("bhumisparsha") recalls the moment when Buddha Shakyamuni overcame physical temptations offered by the demon Mara and called upon the earth goddess to witness his resolve to achieve enlightenment. At that moment, he came to understand that the causes of human suffering lay in physical cravings. To avoid such pain and attain true happiness, one must renounce worldly attachments. The Buddha’s enlightened state is communicated by his monastic robe, which drapes over one shoulder; flames that arise from his cranial protuberance ("ushnisha"); and his broad chest filled with "prana," or the sacred breath of life.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Luang Ban; Alexander B. Griswold, Monkton, Maryland, April 17 1949 [1]; given to Walters Art Museum, 1977 [2].
[1] Presented to the Breezewood Foundation, 1964, inv. no. 637
[2] Under the auspices of the Breezewood Foundation
Exhibitions
1995 | Unearthly Elegance: Buddhist Art from the Griswold Collection. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
2/17/1984 | Examination | examined for condition |
Geographies
Thailand, Sukhothai (Place of Origin)
Measurements
Figure (without tang) H: 26 3/8 × W: 20 11/16 × D: 11 3/8 in. (67 × 52.5 × 28.96 cm); Base H: 1 1/2 × W: 24 × D: 14 in. (3.81 × 61 × 35.5 cm)
Credit Line
Gift of the Breezewood Foundation, 1977
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
54.2520