Description This bearded figure's elaborately arranged dreadlocks and the strap that holds his legs in their crossed position identify him as an ascetic and a master of yoga: one who has gained spiritual power through the practice of intense physical and mental discipline. With his two front hands he holds his own oversize phallus, its erect state signaling the yogic power generated by the retention of seed. With his upper right hand he holds a square-topped sacrificial ladle, used to pour oblations into ritual fires. The object in his upper left hand may be a palm-leaf manuscript, but the ring at its top makes this identification uncertain. The simple sash that crosses his chest diagonally further marks him as a figure of spiritual authority, for such sashes are worn by Hindu gurus (teachers of religious knowledge). It is possible that the four-armed figure is a divinized guru; alternatively, he may be Agni, god of fire, who is instrumental in transmitting ritual oblations to the gods. Made for a temple, this sculpture probably once occupied a shrine-like niche on an exterior wall. It may have been placed near the pinnacle of a temple tower ("shikhara"), however, where on the Vishvanatha temple of Khajuraho a similar ascetic figure is found.
|12/31/1969||Examination||examined for condition|
- Desire and Devotion: Art from India, Nepal, and Tibet in the John and Berthe Ford Collection. The Walters Art Museum, Baltimore; Santa Barbara Museum of Art, Santa Barbara; Albuquerque Museum, Albuquerque; Birmingham Museum of Art, Birmingham. 2001-2003.
Provenance Doris Wiener Gallery, New York, New York [date and mode of acquisition unknown]; Sale, Sotheby's, New York, New York, June 17, 1993, sale no. 6440, lot 85; John and Berthe Ford, Baltimore, 1993, by purchase; Walters Art Museum, 2004, by gift.
Credit Gift of John and Berthe Ford, 2004
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