Bridge of Sighs
(18th and 19th Centuries )
Baltimore artist, Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. In 1969 a collection of 100 of these sketches was generously donated to the Walters Art Museum by J. William Middendorf II. The interests of Miller are clearly reflected in these sketches: the theater (a large portion being quick figure drawings of the Ravel Pantomime Troupe), childhood memories, Baltimore scenery, and witty scenes of characters. (See The Walters Art Gallery Bulletin, April, 1969, Vol. 21, No. 7, Pages 3-4).
"Bridge of Sighs. Tom Hood 'Oh. - It was pitiful, near a whole city full, Friend, had she non." [from Thomas Hood (1799-1845), "The Bridge of Sighs," 1844]" -Miller
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
L. Vernon Miller, by inheritance; Kennedy Galleries, New York [date and mode of acquisition unknown]; Mr. and Mrs. J. William Middendorf II, New York; Walters Art Museum, 1970, by gift.
Exhibitions
2004 | Recollections of a Baltimore Artist: Sketches by Alfred Jacob Miller (1810-1874). The Walters Art Museum, Baltimore. |
1988 | Alfred Jacob Miller: Maryland and the West. The Walters Art Gallery, Baltimore; Washington College, Chestertown; Frostburg State University, Frostburg; Jewish Community Center of Greater Washington, Rockville. |
Geographies
USA (Place of Origin)
Measurements
6 1/2 x 5 1/2 in. (16.5 x 14 cm)
Credit Line
Gift of Mr. and Mrs. J. William Middendorf II, 1970
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2468.42