no photo available
14 miniatures
1440
Vellum;142ff.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Walters Collection
Exhibitions
| 1997 | Images of Devotion: Personal Piety in Medieval Manuscripts and Ivories. The Walters Art Gallery, Baltimore. |
| 1989 | Decadent Decades: The Medieval Clothes Horse. The Walters Art Gallery, Baltimore. |
| 1988 | Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore. |
| 1986 | The Naked and the Nude. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1982-1983 | The Last Flowering: French Paintings in Illuminated Manuscripts, 1420-1530. The Pierpont Morgan Library, New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/28/1982 | Treatment | examined for loan; other |
| 12/29/1988 | Treatment | examined for exhibition; stabilized; other |
| 10/22/2014 | Treatment | binding stabilized; examined for digitization; media consolidation; splits mended |
Geographies
Amiens (Place of Origin)
Measurements
Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm)
Credit Line
Acquired by Henry Walters before 1931
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.262