Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Wall Painting: Woman Holding a Sistrum
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Wall Painting: Woman Holding a Sistrum Thumbnail
Wall Painting: Woman Holding a Sistrum Thumbnail

Wall Painting: Woman Holding a Sistrum

Egyptian (Artist)
ca. 1250-1200 BCE (New Kingdom)
neutral gray, red, black, white, blue and yellow paint on plaster over mud
(Ancient Egypt and Nubia )

The woman in this fragmentary painting from a tomb wall has a wig of long, full hair, held in place by a flowered headband and topped with an ointment cone, a perfumed substance placed on wigs that gave off a fragrant aroma as it melted. A lotus blossom adorns the front of the headband. She holds a rattle called a sistrum, which women often played during temple ceremonies. What remains of the inscription suggests that she may have served with the temple staff of the god Amen.

Inscription

[Inscription] In black paint on yellow: remains of 4 vertical lines of inscription; [Translation] ...(his) sister...the lady...of Amun

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Dikran Kelekian, New York and Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1909, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1946 Musical Instruments and Their Portrayal in Art. Baltimore Museum of Art, Baltimore.

Conservation

Date Description Narrative
8/5/1998 Examination survey
Share
  • social-item
  • social-item
  • social-item

Geographies

Egypt, Western Thebes (Deir el-Medina) (Place of Origin)

Measurements

H: 9 7/16 x W: 6 11/16 x D: 1 5/8 in. (24 x 17 x 4.2 cm)

Credit Line

Acquired by Henry Walters, 1909

Location in Museum

Centre Street: Second Floor: Egyptian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

32.9

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios