Rendezvous

Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference.

"The scene represented is the broad prairie; the whole plain is dotted with lodges and tents, with groups of Indians surrounding them;- In the river near the foreground Indians are bathing; to the left rises a bluff overlooking the plain whereon are stationed some Braves and Indian women. In the midst of them is Capt. Bridger in a full suit of steel armour. This gentleman was a famous mountain man, and we venture to say that no one has travelled here within the last 30 years without seeing or hearing of him. The suit of armor was imported from England and presented to Capt. B. by our commander;- it was a fac-simile of that worn by the English life-guards, and created a sensation when worn by him on stated occasions." A.J. Miller, extracted from "The West of Alfred Jacob Miller" (1837).

In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.

Inscription

Provenance

Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.

William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.