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Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail
Triptych Icon of the Virgin and Child with Saints Thumbnail

Triptych Icon of the Virgin and Child with Saints

Byzantine (Artist)
10th century (Medieval)
ivory
(Byzantium and Early Russia)

The center of this exquisite triptych (three-paneled icon) shows the Virgin holding the Christ Child and pointing toward him with her right hand. This portrait type of the Virgin is known as "Hodegetria," named after a famous icon in the Hodegon monastery in Constantinople, believed in the Middle Ages to have been painted by Saint Luke the Evangelist. On the wings, two pairs of unnamed saints pay homage to the Virgin and Child. Barely visible traces of pigment and gold remain on this triptych, indicating that it was once brightly colored. The panels of the triptych were cut down at some point, and the wings and central section do not align perfectly, suggesting that this object might be the result of two earlier pieces being joined together.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Heinrich von Hofstätter, Bishop of Passau; Gnadenkapelle, Altötting, Bavaria, 1867, by gift; Tycon and Smith, Paris, 1905, by purchase; Henry Walters, Baltimore, 1929, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2000-2001 The Mother of God: Representations of the Virgin in Byzantine Art. Benaki Museum, Athens.
1998-2001 Highlights from the Collection. The Walters Art Gallery, Baltimore.
1997 The Glory of Byzantium. The Metropolitan Museum of Art, New York.
1983-1984 Ivory: The Sumptuous Art. The Walters Art Gallery, Baltimore.
1947 Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore.

Conservation

Date Description Narrative
9/10/1982 Examination other
7/6/1989 Examination examined for exhibition
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Geographies

Turkey, Istanbul (Constantinople) (Place of Origin)

Measurements

Overall H: 4 3/4 x W: 9 3/16 x D: 3/8 in. (12 x 23.4 x 0.9 cm); Proper left panel: H: 4 5/16 x W: 2 3/16 x D: 3/16 in. (10.9 x 5.6 x 0.5 cm); Middle panel: H: 4 3/4 x W: 4 9/16 x D: 3/8 in. (12 x 11.6 x 0.9 cm); Proper right panel: H: 4 5/16 x W: 2 1/4 x D: 3/16 in. (11 x 5.7 x 0.5 cm)

Credit Line

Acquired by Henry Walters, 1929

Location in Museum

Centre Street: Third Floor: Byzantine, Russian, and Ethiopian Icons

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

71.158

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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