Saint Matthew
(Baroque Europe )
St. Matthew is depicted receiving inspiration in composing his Gospel from a divinely sent, winged human figure, one of the four winged creatures described in Revelation that were understood as symbolizing the four Evangelists. This painting is from a series of the Four Evangelists that is datable to around 1616 by comparison to a similar, dated series. By contorting the Evangelist's body in a cramped space against a black background, Wtewael (pronounced "oo-te-vahl") increases our sense of the saint's stress and concentration. This artificial manipulation is visually intriguing but old fashioned at a time when Bloemaert and others were turning to greater naturalism.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Wedewer Collection Sale, Cologne, May 1, 1899 [no. 90, as by H. Goltzius]; Howard Collection sale, Christie's, New York, June, 1984; Walters Art Museum, Baltimore, 1984, by purchase.
Exhibitions
1997-1998 | Masters of Light: Dutch Painters in Utrecht During the Golden Age. Fine Arts Museums of San Francisco, San Francisco; The Walters Art Gallery, Baltimore; The National Gallery, London. |
Geographies
Netherlands, Utrecht (Place of Origin)
Measurements
31 x 24 7/16 in. (78.7 x 62 cm)
Credit Line
Museum purchase with funds provided by the W. Alton Jones Foundation Acquisition Fund, 1984
Location in Museum
Charles Street: Second Floor: 17th-Century Dutch Cabinet Rooms
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2617