Creative Commons License
Vision of Cornelius the Centurion
(Baroque Europe )
A dramatic play of light and shadow can add an emotional charge to the depiction of an event. This was the great lesson that Eeckhout absorbed from his teacher Rembrandt van Rijn in the late 1630s and was still using in 1664, when he signed and dated this painting. This is especially effective for representing contact between the human and the divine-here, the appearance of an angel to the Roman centurion Cornelius (Acts of the Apostles). The angel tells him to seek out St. Peter, who will then preach to him about Christ.
Eeckhout also adopted Rembrandt's use of details to engage the viewer, such as the centurion's gestures of submission to greater authority-arms crossed on the chest and his officer's ceremonial war axe laid on the ground. The cistern at the left foreshadows Cornelius's baptism by St. Peter.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Justice James A. Murnaghan, Dublin; Walters Art Museum, 1973, by gift [from the Dr. Francis D. Murnaghan Fund].
Conservation
| Date | Description | Narrative |
|---|---|---|
| 2/7/1977 | Treatment | coated |
Geographies
Netherlands, Amsterdam (Place of Origin)
Measurements
37 1/8 x 49 3/4 in. (94.3 x 126.3 cm)
Credit Line
Gift of the Dr. Francis D. Murnaghan Fund, 1973
Location in Museum
Charles Street: Second Floor: 17th-Century Dutch Cabinet Rooms
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2492