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Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail
Mummified Human Remains of a Woman Inside a Painted Cartonnage Thumbnail

Mummified Human Remains of a Woman Inside a Painted Cartonnage

Egyptian (Artist)
2nd half 9th-1st half 8th century BCE (Third Intermediate Period)
mummified human remains in cartonnage, with paint
(Ancient Egypt and Nubia )

Mummification preserved mortal remains in order to house the Ka, or life force of the individual, as it needed to return to the body to find sustenance. The human-shaped covering, called "cartonnage," is composed of layers of linen and plaster. Its painted decoration includes the floral wreath on the wig, a broad collar, and a winged scarab beetle. Five additional registers of decoration show the protective four sons of Horus, the sacred boat of the funerary-deity Sokar, a depiction of Osiris mummified on a funerary bed, a divine falcon god, and a short hieroglyphic text with an offering formula.

See the additional media for a facial reconstruction of the deceased person, courtesy of Michael Brassell, as well as a color reconstruction of the cartonnage.

Inscription

[Translation] The king gives an offering to Osiris.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

[Excavated at Deir el-Bahri by the Metropolitan Museum of Art's Egyptian Expedition, Winter of 1930-1931, by Ambrose Lansing]; Metropolitan Museum of Art, New York, ca. 1930-1931; Walters Art Museum, 1941, by exchange.

Exhibitions

1998-2001 Highlights from the Collection. The Walters Art Gallery, Baltimore.
1978 In Search of Ancient Treasure: 40 Years of Collecting. The Walters Art Gallery, Baltimore.
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Geographies

Egypt, Western Thebes, Temple of Hatshepsut (Deir el-Bahri) (Place of Origin) Egypt (Kid-Friendly)

Measurements

H: 65 3/4 x W: 18 1/8 x D: 10 13/16 in. (167 x 46 x 27.5 cm)

Credit Line

Museum acquisition by exchange with the Metropolitan Museum of Art, 1941

Location in Museum

Centre Street: Second Floor: Egyptian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

79.1

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2nd half 9th-1st half 8th century BCE (Third Intermediate Period)
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Painted Cartonnage

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2nd half 9th-1st half 8th century BCE (Third Intermediate Period)
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  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

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410-547-9000

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