Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Neck Amphora with Herakles and Apollo Fighting Over the Delphic Tripod
(Ancient Greece )
This amphora pairs a scene of Dionysus with one of Herakles' exploits: the struggle between Herakles and Apollo for the Delphic tripod. According to myth, Herakles traveled to the sanctuary of Apollo at Delphi to consult the oracle, but, when no answer was forthcoming, the hero seized Apollo's tripod, prompting a fight between the two. Herakles, draped in his lion-skin and carrying a club, menaces a youthful Apollo, while Herakles' protector, Athena, and Apollo's twin sister, Artemis, remain on the sidelines. On the back, Dionysus encounters Hephaestus, god of fire and metalworking, riding on a donkey as a maenad looks on.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 cat. no. 194]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2009-2011 | Heroes: Mortals and Myths in Ancient Greece. The Walters Art Museum, Baltimore; Frist Center for the Visual Arts, Nashville; San Diego Museum Of Art, San Diego; Alexander S. Onassis Public Benefit Foundation (USA), New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 10/4/2000 | Treatment | technical study; cleaned; loss compensation |
Geographies
Greece, Attica (Place of Origin)
Measurements
H: 16 5/16 x Diam: 11 in. (41.5 x 28 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
48.21