Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Khamsa (Quintet) of Amir Khusraw Dihlavi
(Manuscripts and Rare Books, Islamic World , Islamic Manuscripts)
Walters manuscript W.624 is a deluxe copy of the Khamsah (quintet) of Amir Khusraw Dihlavi (died 725 AH/AD 1325). The manuscript was written in Nasta'liq script by one of the greatest calligraphers of the Mughal atelier, Muhammad Husayn al-Kashmiri, honored with the epithet Zarrin Qalam (golden pen). This copy of Dihlavi's Khamsah, likely produced in Lahore (present-day Pakistan) in the late10th century AH/16th, is associated with the patronage of Akbar (reigned 963-1014 AH/AD 1556-1605). The manuscript bears the names of a number of painters and illuminators. The illustrations bear ascriptions to the following artists: La'l (Lal), Manuhar, Sanwalah, Farrukh, Aliquli, Dharamdas, Narsing, Jagannath, Miskina, Mukund, and Surdas Gujarati. The illuminators are Husayn Naqqash, Mansur Naqqash, Khvajah Jan Shirazi, and Lutf Allah Muzahhib. The borders are all elaborately illuminated with animal, bird, and geometric motifs, as well as human figures engaged in such activities as hunting, praying, and reading. The lacquer binding, decorated with pictorial scenes, is contemporary with the manuscript. Eight leaves from this copy of the Khamsah of Dihlavi are housed in the Metropolitan Museum of Art (13.228.26-33).
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Muhammad Zaki, 1241 AH/AD 1825-1826 [mode of acquisition unknown] [oval seal, fols. 1a, 211a]; 'abd al-raji Muhammad Shafi', 1247 AH/AD 1831-1832 [mode of acquisition unknown] [rectangular seal fols. 1a, 211a]; Muhammad 'Ali [date and mode of acquisition unknown] [large oval seal with no date on fol. 211a]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2015-2016 | Pearls on a String: Artists, Patrons, and Poets at the Great Islamic Courts. The Walters Art Museum, Baltimore; Asian Art Museum, San Francisco. |
| 2012 | Paradise Imagined: Images of the Garden in the Islamic and Christian World. The Walters Art Museum, Baltimore. |
| 2010 | Poetry and Prayer: Islamic Manuscripts from the Walters Art Museum. The Walters Art Museum, Baltimore. |
| 1988 | Bindings from the Islamic World. The Walters Art Gallery, Baltimore. |
| 1985-1986 | INDIA!. The Metropolitan Museum of Art, New York. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1984 | The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore. |
| 1982 | The Art of the Book in India. British Library, London. |
| 1977-1978 | Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 8/23/1974 | Treatment | stabilized |
| 12/6/1981 | Treatment | stabilized |
| 8/10/2015 | Examination | examined for exhibition |
| 8/10/2015 | Treatment | examined for exhibition; stabilized |
Geographies
Pakistan, Lahore (Place of Origin)
Measurements
Folio H: 11 1/4 x W: 7 1/2 in. (28.5 x 19 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.624
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