The Death of Caesar
(18th and 19th Centuries )
Julius Caesar was assassinated in Rome on the Ides of March (March 15), 44 BC. Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, "If photography had existed in Caesar's day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe."
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
M. J. Allard; John Taylor Johnston [date and mode of acquisition unknown]; John Taylor Johnston Sale, New York, 1876, no. 188; John Jacob Astor [date and mode of acquisition unknown]; Boussod Veladon et Cie [date and mode of acquisition unknown]; James B. Haggin et al. Sale, New York, April 5, 1917, no. 148; Henry Walters, Baltimore, 1917, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
2010-2011 | The Spectacular Art of Jean-Léon Gérôme. J. Paul Getty Museum, Los Angeles; Musee D'Orsay, Paris; Museo Thyssen-Bornemisza, Madrid. |
2002-2004 | A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. |
2000-2002 | Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. |
1998-2001 | Highlights from the Collection. The Walters Art Gallery, Baltimore. |
1998 | Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. |
1996 | Millet and Barbizon Art. Matsumoto City Museum, Matsumoto City; Tokuyama City Museum of Art and History, Tokuyama; Kasama Nichido Museum, Kasama City; Ishikawa Prefectural Museum of Art, Kanazawa. |
1995 | Parallels and Precedents: Baltimore's George A. Lucas Collection. Baltimore Museum of Art, Baltimore. |
1992 | Manet and the Execution of Maximilian. |
1990 | Paris 1889: American Artists at the Universal Exposition. Pennsylvania Academy of the Fine Arts, Philadelphia. |
1978-1979 | The Second Empire 1852-1870: Art in France under Napoleon III. Galeries nationales du Grand Palais, Paris; Philadelphia Museum of Art, Philadelphia; The Detroit Institute of Arts, Detroit. |
1977-1978 | I, Claudius: Art in the Age of Julio-Claudians. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
2/28/1951 | Treatment | cleaned; coated |
10/20/1971 | Treatment | cleaned; other |
5/8/1972 | Treatment | coated; cleaned; loss compensation |
7/14/1978 | Treatment | re-housed |
7/25/1986 | Loan Consideration | examined for loan |
11/7/1988 | Loan Consideration | examined for loan |
9/6/1989 | Treatment | repaired; other |
8/8/1990 | Treatment | coated |
11/12/1991 | Loan Consideration | examined for loan |
5/4/1995 | Loan Consideration | examined for loan |
11/16/1995 | Treatment | other |
12/28/1995 | Loan Consideration | examined for loan |
5/22/1996 | Treatment | cleaned; coated |
4/12/1999 | Loan Consideration | examined for loan |
Measurements
H: 33 11/16 x W: 57 5/16 in. (85.5 x 145.5 cm); Framed H: 51 1/2 x W: 74 3/8 x D: 5 1/2 in. (130.81 x 188.91 x 13.97 cm)
Credit Line
Acquired by Henry Walters, 1917
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.884