Description "Kolty" (singular "kolt") are pendants that attached to a woman's headdress at the temples. The hollow space within the two concave gold disks that compose a "kolt" contained perfumes or scented oils. The pendants were usually decorated on both sides, since they could rotate as the woman walked. This "kolt" is decorated with delicate cloisonné enamel, a technique learned from Byzantine masters starting in the late 10th century. "Kolty" were frequently worn at wedding ceremonies; the lilies (center), birds, and seeds that fleck the birds' breasts are all symbols of fertility. The bird is also an image retained from Russia's pagan past.
- Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore. 1947.
- Russian Art: Icons and Decorative Arts from the Origin to the Twentieth Century. The Walters Art Gallery, Baltimore. 1959-1960.
- Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. 1979-1980.
- Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore. Cooper-Hewitt National Design Museum, New York; Chrysler Museum of Art, Norfolk; Carnegie Museum of Art, Pittsburgh; San Antonio Museum of Art, San Antonio; Philbrook Museum of Art, Tulsa; Honolulu Academy of Arts, Honolulu; New Orleans Museum of Art, New Orleans; Milwaukee Art Museum, Milwaukee; Minneapolis Institute of Art, Minneapolis; Toledo Museum of Art, Toledo; The John and Mable Ringling Museum of Art, Sarasota. 1984-1987.
- Jewelry from the Walters Art Gallery and the Zucker Family Collection. The Walters Art Gallery, Baltimore. 1987.
- Russian Enamels. The Walters Art Gallery, Baltimore. 1996-1997.
- Bedazzled: 5,000 Years of Jewelry from the Walters Art Museum. Frist Center for the Visual Arts, Nashville; The John and Mable Ringling Museum of Art, Sarasota; The Walters Art Museum, Baltimore. 2006-2009.
- Bedazzled: 5,000 Years of Jewelry. El Paso Museum of Art, El Paso. 2010.
- Fabergé and the Russian Crafts Tradition: An Empire's Legacy . The Walters Art Museum, Baltimore. 2017-2018.
Provenance Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
Credit Acquired by Henry Walters
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