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Image for Column Krater with a Symposium Scene
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Image for Column Krater with a Symposium Scene
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Image for Column Krater with a Symposium Scene
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Image for Column Krater with a Symposium Scene
tooltip-icon Creative Commons License

Creative Commons Zero

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Image for Column Krater with a Symposium Scene
tooltip-icon Creative Commons License

Creative Commons Zero

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Image for Column Krater with a Symposium Scene
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Image for Column Krater with a Symposium Scene
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Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail
Column Krater with a Symposium Scene Thumbnail

Column Krater with a Symposium Scene

Naples Painter (Greek, active ca. 450-420 BCE) (Artist)
ca. 440 BCE (Classical)
terracotta, wheel made; red figure
(Ancient Greece )

Here, a "symposium," or men's drinking party, is under way. Entertainment at such events was provided by "hetairai," or female prostitutes, who also served as musicians and dancers. Reclining on dining couches are two bearded men and an unbearded youth, who tilts his head back to listen to the girl before him playing the double flutes. On the other side of the vessel, three young men are engaged in conversation. Kraters such as this one were used for mixing wine and water, as Greek and Roman authors write that drinking undiluted wine was considered barbaric and uncouth.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

[Excavated, "Foiano Tomb Two" at Foiano della Chiana, Tuscany, 1879]; Alfonso del Soldato, 1879, by excavation. Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [cat. no. 176]; Henry Walters, Baltimore, 1902; Walters Art Museum, 1931, by bequest.

Exhibitions

2007-2008 Déjà Vu? Recurrence. The Walters Art Museum, Baltimore.

Conservation

Date Description Narrative
7/27/1987 Treatment x-ray
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Geographies

Greece, Athens (Place of Origin)

Measurements

H: 15 3/8 x W: 13 7/8 x Diam: 12 3/8 in. (39 x 35.2 x 31.5 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Centre Street: Second Floor: Greek Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.67

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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