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Image for Plaque with Sphinx and Duck
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Image for Plaque with Sphinx and Duck
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Image for Plaque with Sphinx and Duck
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Image for Plaque with Sphinx and Duck
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Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail
Plaque with Sphinx and Duck Thumbnail

Plaque with Sphinx and Duck

Egyptian (?) (Artist)
Syrian (?) (Artist)
Palestinian (?) (Artist)
1550-1390 BCE (New Kingdom; Thumoside)
light brown steatite
(Ancient Egypt and Nubia , Ancient Near East )

This steatite amulet is incised with sunk relief designs on both the front and back. The carvings on the front depict a sphinx, while those on the back show a duck. The figures fill most of the image field, and empty spaces above the backs display floral elements. Hatch and crossed line patterns define the inner structures. The workmanship is slightly rough and the piece is simply made.

This amulet had divine kingship connotations, and was originally mounted or threaded. It could be a rotating element of a ring with two different focuses: It should ensure magical protection as well as regeneration for its owner.

The representation of a duck with head bent back is typical for the early 18th Dynasty, and double-sided decorated oval plaques for the reign of Thutmosis III (1479-1425 BC)-Amenophis III (1388-1351/1350 BC). However, this plaque belongs not to the standard types. Most of the duck representations are scaraboids, and not incised figures on a plaque, and the figure of the jumping/running hawk-headed sphinx is very unusual, as are the attached elements. The only comparison to the jumping/running posture one can find is in images of running lions.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Henry Walters, New York [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Mrs. Henry Walters Sale, Joseph Brummer, New York, 1942; Walters Art Museum, 1942, by purchase.

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Geographies

Palestine (Place of Origin) Egypt (Place of Origin)

Syria (Place of Origin)

Measurements

H: 3/16 x W: 1/2 x L: 5/8 in. (0.4 x 1.2 x 1.6 cm)

Credit Line

Museum purchase [formerly part of the Walters Collection], 1942

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

42.982

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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