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The Story of the Goldsmith's Foolish Wife as Told by the Princess of the Yellow Pavilion
This illustration from Walters manuscript W.624 depicts the story told to Bahram Gur by the princess of the yellow pavilion. It is a tale of a woman who foolishly implicates her husband, a goldsmith, in a crime against the king. He is thus imprisoned in a high tower. He decides to trick his dim-witted wife so that she will exchange places with him. The image shows how the goldsmith lowers himself down and his wife up to the tower.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Muhammad Zaki, 1241 AH/AD 1825-1826 [mode of acquisition unknown] [oval seal, fols. 1a, 211a]; 'abd al-raji Muhammad Shafi', 1247 AH/AD 1831-1832 [mode of acquisition unknown] [rectangular seal fols. 1a, 211a]; Muhammad 'Ali [date and mode of acquisition unknown] [large oval seal with no date on fol. 211a]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2005-2006 | Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-1598. The Walters Art Museum, Baltimore; The Metropolitan Museum of Art, New York. |
Geographies
Pakistan, Lahore (Place of Origin)
Measurements
H: 11 1/4 x W: 7 1/2 in. (28.5 x 19 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.624.188A
