Tsuba with One Hundred Monkeys
(Japanese Military Armor)
One hundred monkeys was a typical motif for Mitsuhiro and other members of his school. A multitude of monkeys are carved into the body of the tsuba. Their eyes are highlighted in gold. Hidden throughout the design are monkeys with special characteristics. In the upper portion are the three monkeys who see no evil, hear no evil, and speak no evil. At the bottom, two monkeys are neck-wrestling with a rope tied around their necks. In the upper left section is a monkey carrying a fan or a baton. Below, a monkey holds a giant peach. At the lower right, a monkey has a bag over its shoulder. This tsuba is similar to another in the Walters collection by the same artist made of silver (51.133). Other known examples by Mitsuhiro are almost all in the same style with a single motif carved throughout the tsuba.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Geographies
Japan, Tokyo (Edo) (Place of Origin)
Measurements
2 7/8 x 2 3/4 x 3/16 in. (7.28 x 6.92 x 0.47 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
51.112