Creative Commons License
Watch in Pair Case with the Triumph of Mordecai
The case has been deeply embossed with the Triumph of Mordecai (an Old Testament story popularized in Jean Racine's 1698 drama Esther). The composition is taken from a cartoon (preparatory study) for a tapestry painted by Jean-François de Troy in 1739.
The movement's backplate is inscribed "Perigal London no. 1501," referring either to John or Francis Perigal. The latter was watchmaker to King George III. The watchcase originally contained a printed sales ticket from Robert Cooper, a clock and watchmaker on the island of Gibraltar.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Anatole Demidoff, Prince of San Donato (1812-1870); Tiffany and Company, New York, prior to 1893 [mode of acquisition unknown] (on 1893 list, no. 79); Henry Walters, Baltimore, after 1893 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Geographies
United Kingdom, England, London (Place of Origin)
Measurements
Diam: 1 15/16 in. (5 cm)
Credit Line
Acquired by Henry Walters, after 1893
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
58.208