Creative Commons License
Creative Commons License
La Huerta del Retiro, Seville
(18th and 19th Centuries )
In 1859, Rico received a scholarship to study in France. Rejected as a pupil by Daubigny, Rico turned to sketching outdoor river scenes near Paris on his own. He was encouraged in these pursuits by Alexandre Calame, the Swiss view-painter, and was later befriended by Camille Pissarro. His art, however, reflected the influence of the light-drenched landscapes of his countryman Mariano Fortuny more than the works of the impressionists.
In an orange grove are three donkeys with panniers, a dog, a man and boy gathering fruit, and two seated women, all rendered in the small scale characteristic of Rico's figures. Behind is a town that was traditionally identified as Toledo, and above, a brilliant sky with scattered clouds.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, prior to 1878 [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2012-2013 | Martin Rico (1833-1908). Museo Nacional del Prado, Madrid; Meadows Museum, Dallas. |
| 1970 | Fortuny and His Circle. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 6/12/1951 | Treatment | coated; lined; varnish removed or reduced |
| 3/12/1982 | Examination | examined for condition |
| 6/1/1991 | Treatment | loss compensation; surface cleaned |
Measurements
H: 16 9/16 x W: 29 1/2 in. (42 x 75 cm); Framed H: 29 3/4 × W: 42 15/16 × D: 5 7/8 in. (75.6 × 109 × 15 cm)
Credit Line
Acquired by William T. Walters, before 1878
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.185
