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View of Saint-Mammès
(18th and 19th Centuries )
In 1880, Sisley moved from Paris to Veneux-Nadon, a few miles southeast of Fontainebleau, and remained in the region for the rest of his life. This view is one of several showing Saint-Mammès, a port town for barge traffic where the Seine and Loing Rivers meet, that Sisley painted at different times of the day from approximately the same location. By the 1880s, the artist had adopted a vigorous style, applying the pigments in rich, dense strokes.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Durand-Ruel, Paris; William Van Horne, Montreal, May 6, 1892, by purchase; Durand-Ruel, New York, April 15, 1893, by purchase; Henry Walters, Baltimore, January 12, 1909, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2024-2025 | Reinstallation 2024: Art and Process. The Walters Art Museum, Baltimore. |
| 2017 | Alfred Sisley (1839-1899): Impressionist Master. The Bruce Museum, Greenwich; Caumont Centre d'Art, Aix-en-Provence. |
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2010-2011 | 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. |
| 2007-2008 | Inspiring Impressionism. High Museum of Art, Atlanta; Denver Art Museum, Denver; Seattle Art Museum, Seattle. |
| 2002-2004 | A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. |
| 2000-2002 | Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. |
| 1998 | Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. |
| 1992-1993 | Alfred Sisley: Master Impressionist. Royal Academy of Arts, London; Musee D'Orsay, Paris; The Walters Art Gallery, Baltimore. |
| 1990 | Illuminations: Images of Landscape in France, 1855-1885. The Heckscher Museum, Huntington; The Walters Art Gallery, Baltimore; The Dixon Gallery and Gardens, Memphis. |
| 1989-1990 | Discerning Tastes: Montreal Collectors 1880-1920. The Montreal Museum of Fine Arts, Montreal. |
| 1981-1982 | New Light on Old Pictures: Dutch and Flemish Paintings from the Walters. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 10/5/1951 | Treatment | cleaned; examined for condition |
| 10/25/1951 | Treatment | cleaned; coated |
| 2/14/1961 | Treatment | cleaned; repaired; coated |
| 6/1/1971 | Treatment | cleaned |
| 2/21/1979 | Treatment | other |
Measurements
H: 21 1/2 × W: 29 1/8 in. (54.61 × 73.98 cm); Framed: H: 31 9/16 x W: 39 x D: 5 1/8 in. (80.17 x 99.06 x 13.02 cm)
Credit Line
Acquired by Henry Walters, 1909
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.355