Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Allegory of Painting
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Allegory of Painting
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Allegory of Painting Thumbnail
Allegory of Painting Thumbnail
Allegory of Painting Thumbnail
Allegory of Painting Thumbnail

Allegory of Painting

Domenico Corvi (Italian, 1721-1803) (Painter)
1764 (Baroque)
oil on canvas
(Baroque Europe )

This young woman with her palette and brushes is not seriously engaged in painting. Contemplating her reflection in a mirror held by a winged cupid, she is a personification of the self-conscious beauty that was then the goal of art. A mask attached to her headdress with a golden chain symbolizes the potentially misleading view of reality that art can convey even when appearing to imitate nature.

Corvi's buoyant, cheerful forms are close to those of French rococo art of the period.

For more information on this painting, please see Federico Zeri's 1976 catalogue no. 426, pp. 536-537.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Royal Collections, Turin, 1764, by commission; Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 526, by A. R. Mengs]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1995-1996 Going for Baroque. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
12/26/1951 Treatment other; coated
1/1/1952 Treatment stabilized; other
1/1/1955 Treatment stabilized
6/1/1957 Treatment loss compensation; coated
9/9/1968 Treatment coated; mounted; cleaned; loss compensation
10/1/1996 Treatment cleaned; coated
Share
  • social-item
  • social-item
  • social-item

Geographies

Italy, Rome (Place of Origin)

Measurements

Painted surface H: 23 13/16 x W: 28 7/8 in. (60.5 x 73.3 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Charles Street: Third Floor: 18th-Century Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.1011

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios