Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Bust of Flora
(18th and 19th Centuries )
Palmer, who was self-taught, was among the first American sculptors to break with the prevailing neoclassical style and adopt a more naturalistic approach.
A version of this bust (likely in plaster or clay) was first exhibitied in New York in 1856, and a first marble version made soon after. The sculptor's account book shows that William T. Walters payed $600 for a second marble version of this work in 1858. It appears that four were made in this medium, the final being cut in 1871.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, 1858, by purchase from artist for $600; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014 | American Artists Abroad: Works from the Permanent Collection . The Walters Art Museum, Baltimore. |
| 1983-1984 | Erastus Dow Palmer: A Native American Neoclassical Sculptor. The Metropolitan Museum of Art, New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| Loan Consideration | examined for loan | |
| 8/31/1961 | Treatment | cleaned |
| 7/14/1983 | Treatment | cleaned; other |
| 7/14/1983 | Treatment | cleaned |
| 8/16/1983 | Treatment | cleaned |
Geographies
USA (Place of Origin)
Measurements
H: 17 × W: 11 9/16 × D: 7 1/2 in. (43.2 × 29.4 × 19 cm)
Credit Line
Acquired by William T. Walters, 1858
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
28.12