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Portrait of a Lady of the Court as a Shepherdess
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Portrait of a Lady of the Court as a Shepherdess

Description Conservation Exhibitions Provenance Credit
Description The romantic fantasy of shepherds and shepherdesses living in the wilds of Arcadia in Greece was a favored theme in ancient poetry that was revived in Renaissance Italy and around 1600 in the Netherlands. In the 1620s, Honthorst and Cornelis van Poelenburch created a fashion in elite circles for portraying young people in this way. The sitter here may be Catherina Elizabeth von Hanau (1607-47) who married in 1628. In any case, she is a noblewoman from the court in The Hague; an engraving of this portrait is among those of the highest aristocracy reproduced in a publication of 1640, "The True Portraits of Some of the Greatest Ladies of Christendom Disguised as Shepherdesses." Honthorst flourished in Rome and Utrecht as a painter of tavern and religious scenes. Turning to portraiture, he enjoyed the patronage of the court, with assistants preparing portraits for him to touch up.
Date Description Narrative
12/01/1980Treatmentexamined for condition
  • World of Wonder. The Walters Art Gallery, Baltimore. 1971-1972.
Provenance Earls of Craven, Combe Abbey [1866 Catalog no. 341]; Cornelia, Countess of Craven; Cornelia, Countess of Craven Sale, Sotheby and Co., London, November 27, 1968, no. 61; Walters Art Museum, 1968, by purchase.
Credit Museum purchase with funds provided by the S. & A.P. Fund, 1968

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ca. 1628 (Baroque)
oil on canvas
(Painting & Drawing)
Accession Number
29 11/16 x 24 7/16 in. (75.4 x 62 cm)

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