brass with silver and gold inlay, and black organic resin decoration (Islamic World )
The artist of this ewer included his signature around the base of the vessel’s neck. Yunus ibn (son of) Yusuf names himself al-naqqash (artist or designer). He also claims the name al-Mawsili, meaning “from Mosul,” thus connecting his identity and his work with the city (in present-day Iraq), a famous metalworking center. Typical of ewers with inlaid decoration, several figural scenes are situated around the body of the vessel. These scenes include depictions of hunters on horseback, musicians playing beneath a tree, and an enthroned ruler.
Inscription
[Signature] Yunus ibn Yusuf al-naqqash al Mawsili; [Date] A.H. 644; [Translation] Glory to our lord, the sultan, the royal.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Dikran Kelekian, New York and Paris; Henry Walters, Baltimore, 1917, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
2019-2021
Excursions through the Collection: Portraiture, Adornment, and the Natural World.
2016
Court and Cosmos: The Great Age of the Seljuqs. The Metropolitan Museum of Art, New York.
1998-2001
Highlights from the Collection. The Walters Art Gallery, Baltimore.
1940
Exhibition of Persian Art. Iranian Institute, New York.
Conservation
Date
Description
Narrative
Treatment
Cleaned
Treatment
Cleaned to reduce silver tarnish in preparation for exhibition.