Description This seal depicts a favorite scene of the Old Babylonian period in which a worshipper stands among a number of gods. The worshiper, in a long robe and cap, offers an animal to the sun-god Shamash, who rests one foot on a stool and holds the saw of justice in his outstretched hand. The sun disc, nestled in a crescent, floats between the two. The goddess Lama stands with her hands raised in supplication. Behind her, a male figure in a kilt holds a curving weapon at his side, and another figure behind Shamash holds the bucket and "sprinkler" associated with fertility. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
Provenance Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.
Credit Museum purchase [formerly part of the Walters Collection], 1941
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