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Image for Cylinder Seal with a Seated Deity and an Inscription
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Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail
Cylinder Seal with a Seated Deity and an Inscription Thumbnail

Cylinder Seal with a Seated Deity and an Inscription

Kassite (Artist)
early 16th-mid 12th century BCE (Middle Babylonian)
red and white stone
(Ancient Near East )

The Kassites were a people from the northwest who installed themselves as the rulers of southern Mesopotamia, unified under the name of Babylonia. They adopted much of its culture, including the cylinder seal. Their seals tend to be tall and thin and often devote much of the surface to inscriptions of prayers, as in this example, which also depicts a seated deity holding divine symbols.

Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.

Inscription

[Transliteration, Cuneiform]
1. {d#}na-du-ka?-na?
2. x du#-a-bi x dingir?
3. x x a dingir za? dingir?
4. x x x ma-an
5. x {d#}en-lil2
6. u3# kin tuku tuku za
7. x# x na-x-x-na
[https://cdli.ucla.edu/search/archival_view.php?ObjectID=P272860]

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.

Conservation

Date Description Narrative
5/5/1970 Treatment cleaned; other
3/20/1974 Examination other
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Geographies

Mesopotamia (Place of Origin)

Measurements

H: 1 3/8 x Diam: 11/16 in. (3.6 x 1.7 cm)

Credit Line

Museum purchase [formerly part of the Walters Collection], 1941

Location in Museum

Centre Street: Second Floor: Ancient Near Eastern Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

42.619

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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