Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Handle in the Form of a Man Holding Lions
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Handle in the Form of a Man Holding Lions
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Handle in the Form of a Man Holding Lions
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Handle in the Form of a Man Holding Lions Thumbnail
Handle in the Form of a Man Holding Lions Thumbnail
Handle in the Form of a Man Holding Lions Thumbnail
Handle in the Form of a Man Holding Lions Thumbnail
Handle in the Form of a Man Holding Lions Thumbnail
Handle in the Form of a Man Holding Lions Thumbnail

Handle in the Form of a Man Holding Lions

Greek (Artist)
second half 6th century BCE (Archaic)
bronze
(Ancient Greece )

This handle in the form of a nude male athlete was part of a metal "oinochoe," or jug, with a trefoil mouth, many of which were manufactured in the Peloponnese, renowned for its metallurgists. A nude male is holding the tails of two lionesses, which were attached on the lip of the vessel, while trampling a "gorgoneion," the head of the Medusa, who turned whoever looked at her face into stone. His domination over the lions suggests that he is a deity, perhaps the god Apollo.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Carmichael Sale, London, 1926, no. 330; Joseph Brummer, Paris and New York, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.

Share
  • social-item
  • social-item
  • social-item

Geographies

Greece, Corinth (Place of Origin)

Measurements

5 7/8 x 4 9/16 x 3 9/16 in. (15 x 11.6 x 9.1 cm)

Credit Line

Acquired by Henry Walters, 1927

Location in Museum

Centre Street: Second Floor: Greek Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

54.912

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios