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Intaglio with Heads of a Woman and a Boy Set in a Ring
This intaglio depicts the heads of a woman, on the left, and a boy, on the right, in profile and facing each other. The woman’s hairstyle appears to be late Hadrianic or early Antonine (117-161 CE). It is possible that the heads are meant to depict Faustina the Elder, wife of Antoninus Pius, and her nephew, Marcus Aurelius, after the latter had been adopted by Antoninus Pius at the behest of the emperor Hadrian. The original 17th century publication of this intaglio identified the heads as Vipsania Agrippina, first wife of the emperor Tiberius, facing Drusus Julius Caesar, their son.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Thomas Howard, fourteenth/twenty-first Earl of Arundel, Arundel House, London, 1638, by purchase [William Petty as agent] [Arundel Collection A, no. 16, as “Agrippina and Drusus”]; Aletheia Talbot Howard, Arundel House, London, 1646, by bequest; Henry Frederick Howard, fifteenth/twenty-second Earl of Arundel, Arundel House, London, by 1652, by gift; Henry Howard, sixth Duke of Norfolk, Arundel House, London, 1652, by bequest; Jane Bickerton Howard, Arundel House, London, 1684, by bequest; Henry Mordaunt, second Earl of Peterborough, by 1690, by purchase; Mary Mordant, Drayton House, Northamptonshire, 1697, by bequest; John Germain, Drayton House, Northamptonshire, 1705, by bequest; Elizabeth Germain, Knole House, Kent, 1718, by bequest; Mary Beauclerk Spencer, 1762, by gift; George Spencer, fourth Duke of Marlborough, Blenheim Palace, Oxfordshire, ca. 1765, by gift [Marlborough no. 545]; George Spencer-Churchill, fifth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1817, by bequest; George Spencer-Churchill, sixth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1840, by bequest; John Spencer-Churchill, seventh Duke of Marlborough, Blenheim Palace, Oxfordshire, 1857, by bequest; Sale, The Marlborough Gems, Christie, Manson & Woods, London, 28 June 1875, p. 84, lot 545; David Bromilow, Bitteswell Hall, Leicestershire, ca. 1875, by purchase; Julia Bromilow Jary, Bitteswell Hall, Leicestershire, 1898, by bequest; Sale, The Marlborough Gems Purchased by the Late David Bromilow, esq., Christie, Manson & Woods, London, 26 June 1899, p. 94, lot 545; Henry Walters, Baltimore, 1899, by purchase [Dikran Kelekian as agent]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by bequest; Joseph Brummer, Paris and New York, 1941, by purchase [Brummer inv. no. N5143a]; Walters Art Museum, 1942, by purchase.
Measurements
Overall: 9/16 in. (1.5 cm)
Credit Line
Museum purchase [formerly part of the Walters Collection], 1942
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
42.1132