Creative Commons License
The Harmony of the Spheres and the Planetary Orbits
(Manuscripts and Rare Books)
The idea of the harmony of spheres – that numerical proportions corresponding to musical harmonies governed both the movement of the seven heavenly bodies and their distance from the Earth – was taken up by medieval writers from ancient thought. In the illustration of the harmony of the spheres in the upper part of the page, the Sun, the Moon, and the five known planets are depicted as seven discs of equal size. Between them are written musical intervals -- a tone (tonus), a semitone (semitonium), or three semitones (tria semitonia). The diagram below shows the Earth at center. The names of the zodiac are written in the outer frame. The names of the planetary bodies are written above their orbits, shown as red rings. Because each of these heavenly bodies has its own, eccentric orbit, the rings representing their orbits are not concentric.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Gruel and Englemann Collection, Paris [1]; acquired by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.
[1] no. 131, bookplate on inside upper board
Geographies
United Kingdom, England (Place of Origin)
Measurements
H: 10 1/2 × W: 6 1/8 in. (26.7 × 15.5 cm)
Credit Line
Acquired by Henry Walters, 1903
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.73.5R
