Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for "Over a Balcony," View of the Grand Canal, Venice
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for "Over a Balcony," View of the Grand Canal, Venice
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
"Over a Balcony," View of the Grand Canal, Venice Thumbnail
"Over a Balcony," View of the Grand Canal, Venice Thumbnail
"Over a Balcony," View of the Grand Canal, Venice Thumbnail
"Over a Balcony," View of the Grand Canal, Venice Thumbnail

"Over a Balcony," View of the Grand Canal, Venice

Francis Hopkinson Smith (American, 1838-1915) (Artist)
ca. 1897
watercolor on paper
(18th and 19th Centuries )

Smith was born on St. Paul Street, Baltimore. He trained initially as an engineer but later taught himself to paint in watercolors. He traveled extensively, producing watercolors which were reproduced in deluxe "travel books," such as "Gondola Days" (1897) and "The Venice of To-Day" (1897) as well as various magazines. He was also the author of many popular books.

The artist regarded this view of the Grand Canal showing the 17th-century church, Santa Maria della Salute, as one of his masterpieces.

Inscription

ll[Signature] Lower right: F. Hopkinson Smith

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

William T. or Henry Walters, Baltimore, before 1895 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Exhibitions

1992-1993 Italian Vistas: Selections from the Permanent Collection. The Walters Art Gallery, Baltimore.
1984-1985 Venice: The American View, 1860-1920. Fine Arts Museums of San Francisco, San Francisco.
Share
  • social-item
  • social-item
  • social-item

Geographies

(Place of Origin) Italy, Venice, Santa Maria della Salute (Place Depicted)

Measurements

H: 31 5/8 x W: 20 7/8 in. (80.3 x 53 cm)

Credit Line

Acquired by William T. Walters or Henry Walters before 1895

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.1109

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios