Pendant with Ariadne Deserted by Theseus
This fine carved gem was in the famous gem collection of Thomas Howard the Earl of Arundel, a collection assembled in the 1630s. It seems most likely that the collector was given to believe that the gem was ancient. The earliest description does not mention a mount.
The mythological scene represents an episode in the life of Ariadne. She is shown here abandoned on the island of Naxos by the Athenian hero Theseus, indicated by the ships on the right leaving the island without Ariadne. Theseus had fled with her from Crete, where she had helped him escape the famous labyrinth commissioned by her father Minos after Theseus killed the ghastly Minotaur and freed the Athenian youths held hostage there. The reason for Theseus's unheroic behavior can be seen on the left side of the gem surface: the god Dionysus is approaching in a chariot drawn by goat-legged followers. He has fallen in love with Ariadne and is not going to let a mortal get in his way.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Thomas Howard, fourteenth/twenty-first Earl of Arundel, Arundel House, London, 1638, by purchase [William Petty as agent] [Arundel Collection E, no. 18]; Aletheia Talbot Howard, Arundel House, London, 1646, by bequest; Henry Frederick Howard, fifteenth/twenty-second Earl of Arundel, Arundel House, London, by 1652, by gift; Henry Howard, sixth Duke of Norfolk, Arundel House, London, 1652, by bequest; Jane Bickerton Howard, Arundel House, London, 1684, by bequest; Henry Mordaunt, second Earl of Peterborough, by 1690, by purchase; Mary Mordant, Drayton House, Northamptonshire, 1697, by bequest; John Germain, Drayton House, Northamptonshire, 1705, by bequest; Elizabeth Germain, Knole House, Kent, 1718, by bequest; Mary Beauclerk Spencer, 1762, by gift; George Spencer, fourth Duke of Marlborough, Blenheim Palace, Oxfordshire, ca. 1765, by gift [Marlborough no. 191]; George Spencer-Churchill, fifth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1817, by bequest; George Spencer-Churchill, sixth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1840, by bequest; John Spencer-Churchill, seventh Duke of Marlborough, Blenheim Palace, Oxfordshire, 1857, by bequest; Sale, The Marlborough Gems, Christie, Manson & Woods, London, 28 June 1875, p. 29, lot 191; David Bromilow, Bitteswell Hall, Leicestershire, ca. 1875, by purchase; Julia Bromilow Jary, Bitteswell Hall, Leicestershire, 1898, by bequest; Sale, The Marlborough Gems Purchased by the Late David Bromilow, esq., Christie, Manson & Woods, London, 26 June 1899, p. 33, lot 191; Henry Walters, Baltimore, 1899, by purchase [Dikran Kelekian as agent]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by bequest; Joseph Brummer, Paris and New York, 1941, by purchase [Brummer inv. no. N5143a]; Walters Art Museum, 1942, by purchase.
Exhibitions
2010 | Bedazzled: 5,000 Years of Jewelry. El Paso Museum of Art, El Paso. |
2006-2009 | Bedazzled: 5,000 Years of Jewelry from the Walters Art Museum. Frist Center for the Visual Arts, Nashville; The John and Mable Ringling Museum of Art, Sarasota; The Walters Art Museum, Baltimore. |
Geographies
Italy (Place of Origin)
Measurements
H of gem: 1 11/16 x W: 1 15/16 in. (4.3 x 4.9 cm)
Credit Line
Museum purchase [formerly part of the Walters Collection], 1942
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
42.1176