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Image for Sculptor Model for a Royal Bust
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Image for Sculptor Model for a Royal Bust
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Creative Commons Zero

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Image for Sculptor Model for a Royal Bust
tooltip-icon Creative Commons License

Creative Commons Zero

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Image for Sculptor Model for a Royal Bust
tooltip-icon Creative Commons License

Creative Commons Zero

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Image for Sculptor Model for a Royal Bust
tooltip-icon Creative Commons License

Creative Commons Zero

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Image for Sculptor Model for a Royal Bust
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Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail
Sculptor Model for a Royal Bust Thumbnail

Sculptor Model for a Royal Bust

Egyptian (Artist)
ca. 200-150 BCE (Ptolemaic)
limestone
(Ancient Egypt and Nubia )

A limestone model bust of a royal male wearing the "nemes" headdress with a "uraeus." The "uraeus" serpent has been broken away. As was typical for the period, the "uraeus" had two coils, one to each side and the tail extended back over the top of the rounded "nemes." Beneath the edge of the band of the "nemes" the natural hairline of the figure may be seen. The eyes are naturally outlined and the brow delicately follows the contour of the eye. The pupils and irises of the eyes are picked out in black paint. The surface of the piece has been scratched and chipped in several places. The face is fleshy and rather flat in profile. The lips are pursed and smiling. The back, sides and base are flat planes and there are grid squares etched into the back and sides. Where the lappets touch the shoulder they are creased in an unnaturally sharp way. The lappets are flat with a curved outer edge and strictly vertical inner edge.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Henry Walters, Baltimore, 1920, by purchase; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
8/24/1972 Treatment cleaned
8/6/1998 Examination survey
1/22/2001 Treatment other
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Geographies

(Place of Origin) Egypt (Place of Discovery)

Measurements

7 3/8 x 6 5/16 x 3 3/4 in. (18.8 x 16.1 x 9.5 cm)

Credit Line

Acquired by Henry Walters, 1920

Location in Museum

Centre Street: Second Floor: Egyptian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

22.54

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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