Landscape with Mosque
(18th and 19th Centuries )
Marilhat participated in a scientific expedition to Greece, Syria, Palestine, and Egypt in 1831. He remained in Cairo for two years, until he was forced by ill health to return to Paris. For the remainder of his career, Marilhat, popularly known as "The Egyptian," continued to produce paintings of Near Eastern subjects. Though they were admired for their exotic quality, his paintings, with their precise delineation of forms, remained essentially neoclassical in style.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Montaignac, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
1979 | A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. |
1952 | The Romantic Circle. Wadsworth Atheneum Museum of Art, Hartford. |
Conservation
Date | Description | Narrative |
---|---|---|
2/11/1938 | Treatment | stabilized; loss compensation; varnished |
10/9/1974 | Treatment | stabilized; coated |
1/28/1981 | Loan Consideration | examined for loan |
4/14/1981 | Examination | examined for condition |
4/15/1989 | Examination | examined for condition |
4/25/2012 | Treatment | cleaned; stabilized;coated; loss compensation |
Geographies
Egypt, Cairo
(Place of Origin)
France, Paris (Place of Origin)
Measurements
H: 22 1/16 x W: 18 1/2 in. (56 x 47 cm); Framed H: 32 1/2 x W: 29 in. (82.55 x 73.66 cm)
Credit Line
Acquired by Henry Walters, 1902
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.96