Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Triptych: Ryuo nishiki-e awase
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Triptych: Ryuo nishiki-e awase
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Triptych: Ryuo nishiki-e awase
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Triptych: Ryuo nishiki-e awase Thumbnail
Triptych: Ryuo nishiki-e awase Thumbnail
Triptych: Ryuo nishiki-e awase Thumbnail
Triptych: Ryuo nishiki-e awase Thumbnail
Triptych: Ryuo nishiki-e awase Thumbnail
Triptych: Ryuo nishiki-e awase Thumbnail

Triptych: Ryuo nishiki-e awase

Konishi Hirosada (Japanese, 1810-1864) (Artist)
1850 (late Edo)
mulberry paper, pigments
(Japan and Korea )

A cone of light cuts through the dark night to reveal a dramatic scene. Sutewakamaru, troubled by conflicting obligations, tries to take his own life by binding himself to a statue of the Bodhisattva Jizo on a rock by the Chigo Deeps. While waiting for the tide to rise and drown him, he is rescued by General Hisayoshi (holding the lantern) and his son. The rescue leads to further complications: Sutewakamaru had previously vowed to kill Hisayoshi to avenge a murder, but now he owes his life to the general.

Inscription

[Signature] On print: Hirosada

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Robert S. Shaull [date and mode of acquisition unknown]; Walters Art Museum, 1990, by bequest.

Exhibitions

2018-2019 Japanese Woodblock Prints: The Art of Collaboration. The Walters Art Museum, Baltimore.
Share
  • social-item
  • social-item
  • social-item

Geographies

Japan, Osaka (Place of Origin)

Credit Line

Bequest of Robert S. Shaull, 1990

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

95.731

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios