Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Pendant with the Virgin and Child Enthroned
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Pendant with the Virgin and Child Enthroned Thumbnail
Pendant with the Virgin and Child Enthroned Thumbnail

Pendant with the Virgin and Child Enthroned

German (Artist)
16th century; Mount: 19th century
gold, enamel, rubies, diamonds, pearls, paint
(18th and 19th Centuries , Jewelry)

Openwork design, colorful enameling, and religious motifs are characteristic of many opulent German Renaissance pendants. This large but delicate example depicts the enthroned Virgin and Child in applied relief surrounded by a pair of cherubim and intricate scrollwork. Such elaborate pieces would have been owned by Renaissance courtiers. Analysis of the enamels revealed that the central group probably dates to the 16th century. It has been attached to a 19th-century decorative mount of unknown origin and of Renaissance-inspired design. Because the Renaissance style experienced a revival in the 19th century, jewelry was frequently copied or forged, often making it difficult without scientific testing to determine if works are original to the period.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

J. & S. Goldschmidt, Frankfurt; Sale, Paris; Henry Walters, Baltimore, 1910, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2010 Bedazzled: 5,000 Years of Jewelry. El Paso Museum of Art, El Paso.
2006-2009 Bedazzled: 5,000 Years of Jewelry from the Walters Art Museum. Frist Center for the Visual Arts, Nashville; The John and Mable Ringling Museum of Art, Sarasota; The Walters Art Museum, Baltimore.
1979-1980 Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
1/26/1988 Treatment cleaned
5/9/1991 Examination examined for condition
2/14/2005 Technical Report other
4/26/2006 Treatment cleaned; other; examined for exhibition
Share
  • social-item
  • social-item
  • social-item

Geographies

Germany, Augsburg (Place of Origin)

Measurements

4 1/8 x 3 1/16 in. (10.48 x 7.78 cm)

Credit Line

Acquired by Henry Walters, 1910

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

44.263

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios