Description When the names of the poses of the Buddha were codified in the 1830s, double-"abhaya" was identified as "hâm samut," or "forbidding the ocean." The pose had in fact persisted throughout the Ayutthaya period, but how its meaning differed from that of the right-hand-"abhaya" pose in the course of these centuries is not known. This image has an understated character that may in fact be rather typical of the late-Ayutthaya style.
|1/09/1984||Examination||examined for condition|
- Unearthly Elegance: Buddhist Art from the Griswold Collection. The Walters Art Gallery, Baltimore. 1995.
Provenance Thong Lo (vendor), Bangkok; Alexander B. Griswold, Monkton, January 28, 1951, by purchase, [presented to the Breezewood Foundation, 1985, inv. no. 860]; Walters Art Museum, 1979, by gift.
Credit Gift of A. B. Griswold, 1979
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