Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira Thumbnail
Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira Thumbnail
Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira Thumbnail
Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira Thumbnail

Two folios from the "Kalpasutra" illustrating King Siddhartha at Court and the Renunciation of Mahavira

Indian (Artist)
ca. 1450
ink, opaque watercolor, and gold on paper
(India, Nepal, and Tibet)

These two illustrated folios are from a manuscript of the "Kalpasutra," one of the most important canonical texts of the Shvetambara Jain tradition. Part of the text relates the life stories of the twenty-four Jinas, the omniscient, spiritually liberated teachers revered by Jains. These folios depict moments in the life of Mahavira, the twenty-fourth Jina. In the first, Mahavira’s father, King Siddhartha, converses with two courtiers, most likely about the dreams of Queen Trishala that preceded Mahavira’s birth. The second folio depicts Mahavira’s renunciation of his life as a prince. Before giving up his jewels and fine clothing, he plucks out his own hair, enduring the pain it causes as an exercise in overcoming attachment to material comforts. The god Shakra (Indra) sits before him, receiving the hair with outstretched hands.

Both illustrations make lavish use of blue pigments and gold, expensive materials that would have cost the manuscript’s donor a great sum of money. By donating such manuscripts to monastic libraries, members of the Jain laity provided a service to the religion and gained merit. In addition to playing a role in the sacred education of both monastic and lay Jains, manuscript copies of the Kalpasutra are objects of worship, especially during the annual festival of Paryushan, when Shvetambara Jains recite, listen to, and honor the holy manuscripts with ritual processions.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

John and Berthe Ford, Baltimore; given to Walters Art Museum, 2002.

Exhibitions

2015-2016 Pearls on a String: Artists, Patrons, and Poets at the Great Islamic Courts. The Walters Art Museum, Baltimore; Asian Art Museum, San Francisco.

Conservation

Date Description Narrative
9/1/2015 Treatment examined for exhibition; media consolidation; splits mended
Share
  • social-item
  • social-item
  • social-item

Geographies

India, Gujarat (Place of Origin)

Measurements

H of page: 4 1/2 × W: 11 5/8 in. (11.4 × 29.5 cm)

Credit Line

Gift of John and Berthe Ford, 2002

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.910

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios