Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Venice, Midday
1868
oil on panel
(18th and 19th Centuries )
(18th and 19th Centuries )
From a vantage point to the east, one looks across the Bacino di San Marco toward Santa Maria della Salute on the left and to the Ducal Palace and Campanile on the right. Moored fishing boats occupy the foreground.
Félix Ziem was active in the Paris Salon in 1849. He was influenced by the Barbizon school and acquired their naturalistic approach.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, between 1878 and 1884, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 9/5/1978 | Treatment | varnish removed; coated; inpainted |
| 9/5/1978 | Examination | examined for condition |
Measurements
H: 16 5/8 x W: 23 3/8 in. (42.23 x 59.4 cm)
Credit Line
Acquired by William T. Walters, between 1878 and 1884
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.167
