Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Reliquary Cross with Crucifixion
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Reliquary Cross with Crucifixion
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Reliquary Cross with Crucifixion Thumbnail
Reliquary Cross with Crucifixion Thumbnail
Reliquary Cross with Crucifixion Thumbnail
Reliquary Cross with Crucifixion Thumbnail

Reliquary Cross with Crucifixion

Greek (Artist)
mid 16th century (Post-Byzantine)
pearls, gold, niello
(Byzantium and Early Russia, Jewelry)

This exceptional pendant consists of a reliquary cross inside a hinged case with six small adjacent compartments for relics (see also Walters 57.1511A and 57.1511B). The impressive amethyst cameo depicting the Virgin and Child on the lid is surrounded by cabochon rubies and emeralds alternating with pearls. The cross and the outer edge of the case are adorned with additional pearls, and the back of the case is decorated in a similar fashion, omitting the central cameo. A ground of dense filigree covers the front and back of the case, while the inside as well as the inscription and the Crucifixion scene on the cross are done in niello. The text identifies the donor, location, and the time when the piece was crafted, which is rare in Post-Byzantine jewelry: the cross was dedicated by the Metropolitan Arsenios of Serres, a town in northern Greece, to the monastery of St. John on the island of Chalke near Constantinople in the middle of the 16th century.

Inscription

[Transcription] On the face of the cross: Ἐξηγόρασας ἡμᾶς τῶ τιμίω σου ἔματι, τῶ στ(αυ)ρῶ προσηλωθείς [Ἐξηγόρασας ἡμᾶς τῶ τιμίω σου αἵματι, τῶ σταυρῶ προσηλωθείς] [around the sides of the cross] + Ἀφιερόθ(η) παρὰ τοῦ ἱεροτά(του) μητροπολείτου Σερ῱ν κὶρ Ἀρσενίου ἐν τεῖ μονεῖ τῆς Ἁγίας (Τριά)δος τῆς ὀνομαζομένης Ἐσοπτροῦ ἐν Χάλκι τῆ νήσο [+ Ἀφιερώθη παρὰ τοῦ ἱεροτάτου μητροπολίτου Σερρῶν κὺρ Ἀρσενίου ἐν τῆ μονῆ τῆς Ἁγίας Τριάδος τῆς ὀνομαζομένης Ἐσόπτρου ἐν Χάλκη τῆ νήσω]; [Translation] Thou hast redeemed us by Thy precious blood, nailed to the cross… (Tri?dion: sessional hymns at Matins, Tone 4, Wednesday)

around the sides of the cross:
Presented by the most holy metropolitan of Serres, Arsenius, to the Monastery of the Holy Trinity called Esoptron on the island of Chalke

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Metropolitan Arsenios, Serres, Greece; Monastery of the Holy Trinity called Esopotron, Chalke [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Exhibitions

2006-2009 Bedazzled: 5,000 Years of Jewelry from the Walters Art Museum. Frist Center for the Visual Arts, Nashville; The John and Mable Ringling Museum of Art, Sarasota; The Walters Art Museum, Baltimore.
2004 Byzantium: Faith and Power (1261-1557). The Metropolitan Museum of Art, New York.
1984 The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore.
1979-1980 Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore.
1964 New York World's Fair 1964: Protestant and Orthodox Pavilion. Protestant and Orthodox Pavilion, New York World's Fair, New York.
1947-1948 Exhibition of Gold. The Cleveland Museum of Art, Cleveland.
1947 Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore.
Share
  • social-item
  • social-item
  • social-item

Geographies

Greece, Serres (Place of Origin) Turkey, Istanbul (Chalke) (Place Mentioned)

Measurements

Cross H with lope: 2 1/16 x W: 1 1/4 x D: 1/4 in. (5.24 x 3.18 x 0.64 cm)

Credit Line

Acquired by Henry Walters

Location in Museum

Centre Street: Third Floor: Byzantine, Russian, and Ethiopian Icons

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

57.1511C

Do you have additional information?

Notify the curator

Related Objects

Image for Reliquary Pendant with Virgin and Child

Reliquary Pendant with Virgin and Child

Greek
mid 16th century (Post-Byzantine)
view details

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios