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Venice, Evening
(18th and 19th Centuries )
The sun is setting in the west, illuminating the entrance to the Grand Canal. At the left, silhouetted against the sky, is the dome of Santa Maria della Salute. The right is dominated by the Ducal Palace and beyond it, the Campanile. Crossing from the Riva degli Schiavoni is a gondola laden with passengers. Several sailing vessels are moored at the right.
Félix Ziem was active in the Paris Salon in 1849. He was influenced by the Barbizon school and acquired their naturalistic approach.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, 1865, by purchase [from the artist]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 5/26/1975 | Treatment | varnish removed; lined; loss compensation; inpainted; coated |
| 5/1/1994 | Treatment | other |
| 8/13/1996 | Examination | examined for condition |
Measurements
H: 17 1/16 x W: 21 5/8 in. (43.3 x 55 cm); Framed H: 28 3/8 × W: 33 1/16 × D: 4 1/2 in. (72 × 84 × 11.5 cm)
Credit Line
Acquired by William T. Walters, 1865
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.158
