Creative Commons License
Creative Commons License
Cameo of the Virgin
(Byzantium and Early Russia)
This small and delicately carved bloodstone cameo shows the Virgin standing and turning to her left, her arms raised in a gesture of prayer or supplication. An abbreviated inscription on either side identifies her as the "Mother of God." She is perhaps imploring her son to forgive the sins of humanity, and the original owner of this work no doubt hoped that she was interceding specifically on his or her behalf. The gold frame around the piece is modern, and it is unclear whether this small work was originally meant to be worn around the neck like many other carved Byzantine gems, or whether it was part of a small devotional diptych or triptych, arranged so that this panel was next to one depicting Christ, with the Virgin therefore directly gesturing toward her son.
The image is carved on a bloodstone. The red streaks in this stone would have reminded pious viewers of the blood shed by Christ at the Crucifixion, perhaps focusing their thoughts on Mary's role at that event.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Leon Gruel, Paris, by purchase; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2008-2009 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Museum of Biblical Art, New York; Colby College Museum of Art, Waterville; Joslyn Art Museum, Omaha. |
| 2002-2005 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Frist Center for the Visual Arts, Nashville. |
| 2001-2002 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Frist Center for the Visual Arts, Nashville. |
| 1997 | The Glory of Byzantium. The Metropolitan Museum of Art, New York. |
| 1947 | Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore. |
Geographies
Turkey, Istanbul (Constantinople) (Place of Origin)
Measurements
H: 2 1/4 x W: 1 3/16 x D: 1/4 in. (5.7 x 3 x 0.6 cm)
Credit Line
Acquired by Henry Walters, 1928
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
42.5