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Image for Scarab with Walking Lion Design
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Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail
Scarab with Walking Lion Design Thumbnail

Scarab with Walking Lion Design

Canaanite (Artist)
ca. 1648-1539 BCE (Second Intermediate Period; late MB IIB)
light beige steatite with green-blue glaze
(Ancient Near East )

The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes

This scarab displays on its bottom the motif of a walking lion. The mouth of the animal is wide open and the tail raised upon its back. A sun disk appears below its head, an nb-basket below its belly, a bush between its hindlegs, and further floral elements behind its body. The lion figure fills nearly the whole space; only in front, between, and behind its extremities is some space to convey the environment. The figure of the lion has a short body, a large head, and slim legs with very large paws. The size and round shape of these paws correspond to the form of the sun disk. The layout is balanced and tightly packed, the figure of the lion and the other elements fill the whole space, and there is empty space only between the frontlegs of the lion. The head of the lion is on the bottom of the head segment of the scarab. The highest point of the back is the pronotum (dorsal plate of the prothorax). Two side-notches at shoulder height, which differ in depth and are not totally aligned, define the partition between pronotum and elytron (wing cases). The triangular head has incised borderlines; the irregular side plates have side-notches, and the four times serrated clypeus a short central base notch. The raise extremities have natural form, and diagonal hatch lines for the tibial teeth and pilosity (hair); the background is deeply hollowed out. The oval base is symmetrical, and the drill-hole openings framed.

The scarab is longitudinally pierced, was originally mounted or threaded, and functioned as a protective amulet with royal connotation. Particularly, it refers to divine royal power (lion) and solar presence (sun disc) as a life spending force (plants), and should assure protection and renewal for its owner. There are several parallels for this motif on the bottom of scarabs. The type with an open mouth is typical for examples from Palestine. Lion icons have royal and heavenly connotations, and the sub-icons specify or modify the exact meaning.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

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Geographies

Palestine (Place of Origin)

Measurements

H: 3/8 x W: 9/16 x L: 13/16 in. (0.9 x 1.5 x 2.1 cm)

Credit Line

Acquired by Henry Walters

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

42.36

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  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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