Creative Commons License
Ceremonial Cup
(18th and 19th Centuries )
This magnificent late Baroque ceremonial cup was made for Augustus the Strong (1670-1733), elector of Saxony and king of Poland. One of a pair, it was first exhibited in 1722 in the Green Vaults of Dresden, the royal treasury that opened as a public museum the following year. A prancing Polish horse is mounted on an agate bowl. Protruding from his elaborately enameled saddle cover are the handles of the ceremonial sword of Poland and of the sword of Investiture of the Order of the White Eagle. A rider and horse enameled on an oval plaque on the back of the cup represent Lithuania, then united with Poland. Other insignia include the crown of Poland placed on a crimson cushion, the Polish white eagle, and the monarch's monogram. Dogs and salamanders are among the naturalistic elements incorporated into the exuberant scroll-work of the mount.
Johann Melchior Dinglinger was appointed jeweler to the court in 1698. Working together with his brothers Georg Friedrich, an enameler, and Georg Christoph, a jeweler, he drew upon Saxony's rich mineral resources to keep alive the Renaissance goldsmith's tradition in which semiprecious stones and enamels were used in conjunction with metal. His international reputation was such that Peter the Great of Russia stayed as his houseguest in 1712.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Commissioned by Augustus the Strong, Elector of Saxony and King of Poland [1670-1733], Prague, ca. 1720; Grünes Gewölbe, Dresden [on display 1722-1924]; Dr. F. Mannheimer, Amsterdam; Muller Sale, October 14, 1952, lot 213; Mr. and Mrs. Alastair Bradley Martin, New York; John Hunt, Dublin, Ireland; Walters Art Museum, 1971, by exchange.
Exhibitions
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2003-2004 | The Fabergé Menagerie. The Walters Art Museum, Baltimore; Columbus Museum of Art, Columbus; Portland Art Museum, Portland. |
| 1984 | Objects of Vertu: Precious Works of the Eighteenth Century. The Walters Art Gallery, Baltimore. |
| 1971-1972 | World of Wonder. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 6/13/2014 | Examination | cleaned; coated; examined for exhibition |
| 6/18/2014 | Treatment | cleaned; examined for exhibition |
Geographies
Germany, Dresden (Place of Origin)
Measurements
11 7/16 in. (29 cm)
Credit Line
Museum acquisition by exchange, 1971
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
57.1994