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Image for Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria"
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Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria" Thumbnail
Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria" Thumbnail
Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria" Thumbnail
Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria" Thumbnail

Cameo after William Henry Rinehart's Sculpture "The Woman of Samaria"

Venetian (Artist)
ca. 1862
shell
(18th and 19th Centuries )

This cameo is after William Henry Rinehart's "Woman of Samaria," a major life-size sculpture in marble commissioned by William T. Walters and completed in 1861. The Walters Art Museum owns two other cameos after Rinehart's work (see Walters 57.2001 and Walters 57.854). One of these, a profile portrait of Ellen Walters, William's wife, was a commission from the Roman workshop of Augusto Castellani (1829-1914). It is therefore possible that this cameo was commissioned from the same workshop at around the same time.

Cameos done after sculptures were known in ancient times, and the practice continued in the 19th century. Castellani also executed a bust-length cameo of Hiram Powers famous statue the "Greek Slave," exhibited in the Great Exhibition of 1851.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

William T. Walters, Baltimore [date and mode of acquisition unknown, but perhaps by commission, ca. 1862]; Walters Art Museum, 1931, by bequest.

Exhibitions

2015 Rinehart's Studio: Rough Stone to Living Marble. The Walters Art Museum, Baltimore.

Conservation

Date Description Narrative
12/9/2014 Examination Examined and treated for exhibition
12/9/2014 Examination The cameo was examined and cleaned in preparation for an exhibit about Rinehart and his studio practices (2015).
1/14/2015 Treatment Repaired for exhibition
1/14/2015 Treatment The cameo was cleaned and repaired for the From Rough Stone to Living Marble: William Henry Rinehart's Roman Studio in 2015. The brown background shell to the right of the profile was missing and was restored to complete the oval shape. The white profile is intact. Layers of Mylar, Acryloid B-72, Acrysol WS-24, Orasol dyes and Golden Acrylic Colors were used to imitate the missing shell.
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Geographies

Italy (Place of Origin)

Measurements

H: 1 5/8 × W: 1 1/8 × D: 1/4 in. (4.2 × 2.9 × 0.6 cm)

Credit Line

Acquired by William T. Walters (?)

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

42.560

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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