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Roosters, Chicks, and Morning Glories
(Japan and Korea )
This painting is intended to evoke the sorrowful bliss of lovers' separation: at dawn, morning glories bloom, the cock crows, and lovers must part. The subject matter was traditional, but Watanabe Seitei--one of the first Japanese artists to visit Europe--traveled to Paris in 1878 and was influenced by the way European watercolorists used color.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
T. Yamazoe, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.
Exhibitions
| 2009-2010 | Industry of Perfection: The Refined Beauty of Japanese Cloisonne Enamels. The Walters Art Museum, Baltimore. |
| 2010 | Japanese Cloisonne Enamels from the Stephen W. Fisher Collection. The Walters Art Museum, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 6/16/1993 | Treatment | cleaned; repaired |
| 3/7/1995 | Examination | examined for exhibition |
| 3/1/1997 | Examination | examined for exhibition |
| 6/16/1999 | Examination | examined for exhibition |
| 7/17/2002 | Examination | examined for exhibition |
| 1/6/2010 | Examination | examined for condition |
Geographies
Japan, Tokyo (Place of Origin)
Measurements
Painting H: 48 15/16 x W: 19 3/16 in. (124.3 x 48.8 cm); Mounting H: 88 1/4 x W: 24 3/4 in. (224.16 x 62.87 cm)
Credit Line
Museum purchase with funds provided by the Ambassador and Mrs. William J. Sebald Fund, 1986
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
35.132