Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
The Collision of Two Horsemen
(18th and 19th Centuries )
Delacroix uses fluid brush work to capture the color and movement of an Arab Fantasia, or ceremonial cavalry charge, mimicking battle, which he witnessed at the court of Sultan Abd-er-Rahmen of Morocco (1778-1859) while accompanying Count Charles de Mornay on a diplomatic expedition on behalf of King Louis Philippe of France in 1832. He focuses on two riders who have broken from the ranks, their horses startled by the simultaneous firing of guns that ends the maneuver.
"During their military exercises, which consist of riding their horses at full-speed and stopping them suddenly after firing a shot, it often happens that the horses carry away their riders and fight each other when they collide."
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Schwabacher (?) (date and mode of acquisition unknown); Sale M. de S. (Schwabacher (?)), May 5, 1877, no. 6; purchased by Arnold and Tripp, February 12, 1881 [1]; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, May 9, 1883 [2]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
[1] Arnold, Tripp et Compagnie, Livre d'entrée, no. 52 and Livre de Sortie, no. 1159, Collection of M. Dieterle
[2] The Diary of George A. Lucas, p. 563.
Exhibitions
| 2024-2025 | Reinstallation 2024: Art and Process. The Walters Art Museum, Baltimore. |
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2013-2014 | Delacroix and the Matter of Finish. Birmingham Museum of Art, Birmingham. |
| 2010-2011 | 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. |
| 2002-2004 | A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. |
| 1997-1998 | Orientalism: Delacroix to Klee. Art Gallery of New South Wales, Sydney; Auckland Art Gallery, Auckland. |
| 1962-1963 | Eugène Delacroix, 1798-1863. Art Gallery of Toronto, Toronto; National Gallery of Canada, Ottawa. |
| 1844 | [Exhibition title unknown, held at Galerie des Beaux-Arts]. Galerie des Beaux-Arts, Paris, Paris. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 10/20/1937 | Examination | infrared spectroscopy |
| 6/26/1962 | Treatment | x-rayed; loss compensation; coated |
| 5/29/1986 | Examination | examined for loan |
| 5/29/1996 | Examination | examined for condition |
| 8/1/1997 | Treatment | stabilized |
Measurements
H: 32 x W: 39 in. (81.3 x 99.1 cm); Framed H with build-up: H: 48 5/16 x W: 55 5/8 x D: 8 5/8 in. (122.71 x 141.29 x 21.91 cm)
Credit Line
Acquired by William T. Walters, 1883
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.6