Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Market Scene
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Market Scene
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Market Scene
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Market Scene Thumbnail
Market Scene Thumbnail
Market Scene Thumbnail
Market Scene Thumbnail
Market Scene Thumbnail
Market Scene Thumbnail

Market Scene

George Wilfrid Anthony (English, 1810-1859) (Artist)
1832
oil on canvas
(18th and 19th Centuries )

Shown in a market area of Manchester known as "Smithy Door." Throngs of shoppers and hawkers mill about food stands. The surrounding buildings are primarily of half-timber construction. On one shop at the right is a sign: PETER ECKERSLEY/Late/DAWSON/Importers of Linens...

At the left is a store displaying dishes in its window and next to it is a shop identified as: CRASTON SHOE MAKER. Seen in the background is the early 15th-century tower of the collegiate church of Manchester, which was elevated to the rank of cathedral in 1847. In the City Art Gallery, Manchester, is an undated lithograph of "Smithy Door" by H. G. James (inv. 1947.340).

Inscription

[Signature] lower left: GWA 1832

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
7/3/1978 Treatment cleaned
Share
  • social-item
  • social-item
  • social-item

Geographies

(Place of Origin) United Kingdom, England, Manchester (Place Depicted)

Measurements

Overall: 29 15/16 × 24 3/4 in. (76 × 62.8 cm)
Framed: H: 39 7/8 × W: 34 7/8 × D: 3 1/2 in. (101.3 × 88.6 × 8.9 cm)

Credit Line

Acquired by William T. or Henry Walters

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.755

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios